20×16 Inches
Acrylic on Canvas
2024
Harlequin develops the glyph system through a brighter and more theatrical field, where blue forms advance across a saturated yellow-orange ground. Each mark is applied by hand and positioned in real time, accumulating into a composition governed by spacing, pressure, and relation rather than by image. The work does not unfold around a fixed center or hierarchy. Instead, order emerges through recurrence and interval, as each mark gains force from the structure forming around it.
The charged ground remains fully active, giving the painting a more vivid and unstable tension than the monochrome works. What appears spontaneous is controlled by a closed internal logic: repetition without duplication, density without collapse, and variation held within constraint. Like all Glyph Paintings, Harlequin is a singular original—executed directly, without assistants or reproductions, and resolved as a complete system whose coherence depends on the precision of its construction.
20×16 Inches
Acrylic on Canvas
2024
Harlequin develops the glyph system through a brighter and more theatrical field, where blue forms advance across a saturated yellow-orange ground. Each mark is applied by hand and positioned in real time, accumulating into a composition governed by spacing, pressure, and relation rather than by image. The work does not unfold around a fixed center or hierarchy. Instead, order emerges through recurrence and interval, as each mark gains force from the structure forming around it.
The charged ground remains fully active, giving the painting a more vivid and unstable tension than the monochrome works. What appears spontaneous is controlled by a closed internal logic: repetition without duplication, density without collapse, and variation held within constraint. Like all Glyph Paintings, Harlequin is a singular original—executed directly, without assistants or reproductions, and resolved as a complete system whose coherence depends on the precision of its construction.
